Meyer, Harald Die 'Taisho-Demokratie' Meyer, H: 'Taisho-Demokratie'

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Details zum Produkt: Die 'Taisho-Demokratie' Meyer, H: 'Taisho-Demokratie'

Der Autor: Harald Meyer wurde 1972 in Zürich geboren. 1992 bis 1999 Studium der Japanologie, Sinologie und Geschichte der Neuzeit an den Universitäten Zürich und Kanazawa. 2000 Promotion. Von 2000 bis 2002 folgte auf Einladung des Japanischen Bildungs- und Wissenschaftsministeriums ein zweiter Forschungsaufenthalt an der Universität Kanazawa. Seit 2002 Oberassistent für Japanologie am Ostasiatischen Seminar der Universität Zürich. 2004 Habilitation. Forschungsschwerpunkte: Literatur und Geschichte Japans.

Zusatzinformation: Die 'Taisho-Demokratie' Meyer, H: 'Taisho-Demokratie' - Meyer, Harald

ISBN(s) 9783039106424
Erscheinungsdatum 29.07.2005
Einbandart Einband - fest (Hardcover)
Seitenanzahl 471
Sprache Deutsch
Artikel Typ Physisch
Genre Geisteswissenschaften/Kunst/Musik
Kurztitel Meyer, Harald: Die 'Taisho-Demokratie'
Warengruppe HC/Sachbücher/Geschichte/Sonstiges
ISBN-10 3039106422
Länge 231 mm
Breite 167 mm
Höhe 40 mm
Gewicht 867 gr
Produkttyp Hardcover, Softcover
Verlag Lang, Peter Peter Lang AG, Internationaler Verlag der Wissenschaften
Untertitel Begriffsgeschichtliche Studien zur Demokratierezeption in Japan von 1900 bis 1920
Inhaltsverzeichnis Aus dem Inhalt: Zum Themeneinstieg: Die Schrift

Andere Bücher von Meyer, Harald

Literaturmuseen als Stationen der Literaturgeschichte Japans Meyer, H: Literaturmuseen als Stationen der Literaturgeschic
Literaturmuseen als Stationen der Literaturgeschichte Japans Meyer, H: Literaturmuseen als Stationen der Literaturgeschic
Auf mindestens drei Ebenen bietet der vorliegende "Reiseführer" eine erste Orientierung zur literarischen Moderne Japans. Zunächst wird anhand von 35 Literaturmuseen eine äußerst reichhaltige Museumslandschaft vorgestellt, die in den letzten Jahrzehnten herangewachsen ist. Die zweite Ebene betrifft die konzise Vorstellung von rund drei Dutzend repräsentativen Autorinnen und Autoren anhand ihrer wichtigsten Werke. Und drittens führen uns mit Kato Shuichi und Donald Keene als "Reiseführer" zwei höchst renommierte Experten durch die Textlandschaft. Ihre literarhistorischen Beiträge werden auf dieser weiteren Ebene zitierend gewürdigt und im Kontext von grundsätzlichen Reflexionen zur modernen Literaturgeschichtsschreibung Japans präsentiert. Das hier versuchte Experiment ergab sich einerseits aus einem Desideratum nicht zuletzt der japanologischen Grundausbildung an deutschsprachigen Universitäten und versteht sich andererseits als eine Art Dienstleistung gegenüber einem an der japanischen Kultur interessierten allgemeinen Publikum. Der eigentliche Zweck besteht aber - im Rahmen der bescheidenen Möglichkeiten einer solchen "Reiseführer-Publikation" - im Versuch, durch die Schwerpunktlegung auf die Literaturmuseen und die an einen Reiseführer erinnernde Gestaltung einen Beitrag zu leisten, das Interesse an der japanischen Literatur aufrechtzuerhalten und vielleicht sogar ein wenig neu zu wecken. Die Aura einer Erkundungsreise, einer abenteuerhaften Expedition nach Japan schwingt also mit und ist in dieser Form durchaus gewollt. Jedenfalls soll ein Perspektivwechsel ermöglicht werden, der sich aufgrund der mittlerweile erfolgten institutionellen Veränderung auf breiter Basis durch die Errichtung einer Vielzahl von Museen geradezu aufzudrängen scheint. Die Rezeptions- und Wirkungsgeschichte kann zugegebenermaßen in der Facette der Literaturmuseen nur höchst punktuell rekonstruiert werden, immerhin ist dieser Faktor jedoch heute nicht mehr wegzudenken, will man eine neue Besprechung der literarischen Hauptrepräsentanten der japanischen Moderne wagen.

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