Deseine, Trish Morel, Marie-Pierre Verrückt nach Karamell

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Trish Deseinegeboren und aufgewachsen in Irland, lebt seit vielen Jahren in Frankreich, T

Zusatzinformation: Verrückt nach Karamell - Deseine, Trish Morel, Marie-Pierre

ISBN(s) 9783038002666
Erscheinungsdatum 30.04.2007
Einbandart Einband - fest (Hardcover)
Seitenanzahl 159
Sprache Deutsch
Artikel Typ Physisch
Genre Sachbuch/Ratgeber
Kurztitel Deseine, Trish: Verrückt nach Karamell
ISBN-10 3038002666
Länge 294 mm
Breite 186 mm
Höhe 20 mm
Gewicht 836 gr
Produkttyp Hardcover, Softcover
Verlag AT Verlag
Untertitel 100 sinnlich-süsse Verführungen

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The Preference of the Primitive Gombrich, E: Preference of Primitive
The Preference of the Primitive Gombrich, E: Preference of Primitive
This long-awaited book is a study of a recurring phenomenon in the history of Western art, namely the feeling that older and less sophisticated (i.e. 'primitive') works of art are somehow superior to later and more refined ones. In a closely argued and richly documented narrative Professor Gombrich traces the history of the debates on this subject from classical antiquity to the radical primitivism of modern times, attempting at the same time to provide a psychological explanation of the phenomenon.This book is a documentary study of a recurring phenomenon in the history of changing taste in the visual arts, namely the feeling that older and less sophisticated (i.e. 'primitive') works are somehow morally and aesthetically superior to later works that have become refined, soft and decadent. Gombrich traces the existence of such feelings right back to classical antiquity, and he links them with a crucial psychological observation made by Cicero to the effect that over-indulgence of the senses leads to a feeling of disgust. He also demonstrates the importance of the profoundly influential metaphor, first articulated in antiquity and taken over by Vasari, that compares the history of art to the growth of an organism: like a living organism, art is born and grows to maturity (and therefore perfection), then decays and finally dies. Successive generations of artists and critics, believing the art of their own time to be past maturity, have interpreted the smooth refinement and sensual appeal of contemporary works as symptoms of decline and corruption, and have come to admire earlier works, despite their 'immaturity', as possessing superior qualities of sincerity, innocence and ruggedstrength. With the advent of modernism at the turn of the twentieth century this admiration took a radically regressive new twist as artists turned their backs on tradition altogether and found inspiration in the art of exotic cultures and in the works of children and the insane